The sweetness that exudes from its introduction can be perceived in a light way, as a device used to soften something denser, but which has not necessarily been highlighted. The interesting thing, in this sense, is to realize that the dawn of the work is governed by an engaging harmony and of an invigorating nature with notes of pure joy.
Diving into its first verse as it sets out to experience nuances of an embryonic introspective freshness, the song allows itself to overflow with a palpable delicacy from the way the vocalist, with his serene timbre, interprets the first lyrical contours. Under a mid-tempo rhythmic cadence and a melodic instrumental capable of elaborating a sense that guarantees, at least, a timid sense of comfort, the work, nevertheless, cannot censor its own dramatic nuances.
Exploding into a chorus that maintains the same consistent degree of harmony, but with a curiously fragile grandeur in its pleading expression, the composition ends up surprising the listener due to the nature of its verbal plot. This happens because Paralyzed, even wrapped in an invigorating and charmingly melodic instrumentation, brings with it an important dialogue about isolation and the need to seek a sense of connection, which makes it minimally dramatic.
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